Captioning made possible by GOODTIMES HOME VIDEO
Narrator: SOME SAY THAT AS WE GROW UP
WE BECOME DIFFERENT PEOPLE AT DIFFERENT AGES
BUT I DON'T BELIEVE THIS.
I THINK WE REMAIN THE SAME THROUGHOUT
MERELY PASSING IN THESE YEARS FROM ONE ROOM TO ANOTHER
BUT ALWAYS IN THE SAME HOUSE.
IF WE UNLOCK THE ROOMS OF THE FAR PAST
WE CAN LOOK IN AND SEE OURSELVES
BEGINNING TO BECOME YOU AND ME.
¶ ONE, TWO, THREE, ONE, TWO, THREE ¶
¶ ONE, TWO, THREE, ONE, TWO, THREE... ¶
I WON'T GET INTO BED, NANA.
I WON'T.
LIZA, IS IT 6:00 YET?
YES.
PLEASE, NANA, DO I HAVE TO GO TO BED?
( barks twice )
LIZA, WE'RE PRETENDING WE'RE MOTHER AND FATHER
AND WE'RE GOING TO THE BALL TONIGHT.
COME PLAY.
 ALWAYS PLAYING GAMES.
I HAVE MUCH MORE IMPORTANT THINGS TO DO
THAN PLAY AT MAKE-BELIEVE AND DANCING.
¶ ONE, TWO, THREE, ONE, TWO, THREE... ¶
WENDY, JOHN.
OH, MOTHER! YOU LOOK LOVELY.
THANK YOU.
WHAT ARE YOU DOING IN MY OLD HAT?
WE'RE DOING AN ACT.
I'M PLAYING FATHER.
"A LITTLE LESS NOISE THERE.
A LITTLE LESS NOISE."
MOTHER, THEY NEVER LET ME PLAY FATHER.
THEY NEVER LET ME DANCE.
WE'LL SOON FIX THAT.
THERE.
MAY I HAVE THE HONOR OF THIS DANCE, MR. DARLING?
¶ ONE, TWO, THREE, ONE, TWO, THREE ¶
¶ ONE, TWO, THREE, ONE. ¶
YOU DANCE BEAUTIFULLY, MR. DARLING.
MOTHER, MOTHER.
OH, THERE YOU ARE.
WHAT'S THE MATTER?
THIS TIE WILL NOT TIE ROUND MY NECK.
ROUND THE BEDPOST, OH, YES, BUT ROUND MY NECK, NO.
OH, DEAR, NO. IT BEGS TO BE EXCUSED.
SAY IT AGAIN, FATHER.
A LITTLE LESS NOISE THERE.
UNLESS THIS GOES ROUND MY NECK, WE DON'T GO OUT TO DINNER.
IF WE DON'T GO OUT TO DINNER, I NEVER GO TO THE OFFICE.
IF I NEVER GO TO THE OFFICE, YOU AND I WILL STARVE
AND OUR CHILDREN WILL BE FLUNG INTO THE STREETS.
Children: OH, NO, FATHER!
WAIT A MINUTE, I THINK I'VE GOT IT.
ONE MORE DAY!
OH, NANA...
MOTHER, LOOK HERE-- HAIRS ALL OVER MY TROUSERS.
I'LL BRUSH YOU OFF, FATHER DEAR.
THANK YOU.
MAYBE IT'S A MISTAKE TO HAVE A DOG FOR A NURSE.
NANA'S A TREASURE.
I SOMETIMES HAVE A SORT OF FEELING
THAT SHE LOOKS UPON THE CHILDREN AS HER PUPPIES.
WE MUST KEEP NANA.
( whispers: ) I'LL TELL YOU WHY.
GET READY FOR BED, CHILDREN.
NANA WILL TAKE YOU.
THAT'S RIGHT.
RUN ALONG.
GEORGE, TONIGHT I SAW A FACE AT THE WINDOW.
TWO FLOORS UP?
IT WAS A LITTLE BOY.
HE WAS TRYING TO GET IN.
IT'S IMPOSSIBLE.
THAT'S NOT THE FIRST TIME.
OH?
THE FIRST TIME WAS A WEEK AGO.
IT WAS NANA'S NIGHT OFF.
I WAS SITTING BY THE FIRE, AND I FELT A DRAFT
AS THOUGH THE WINDOW WERE OPEN.
I LOOKED...
AND I SAW THAT BOY IN THE ROOM.
I SCREAMED.
NANA CAME BACK AND SPRANG AT HIM.
THE BOY LEAPT TO THE WINDOW.
NANA CLOSED IT QUICKLY
BUT IT WAS TOO LATE TO CATCH HIM.
I THOUGHT SO.
HE ESCAPED, BUT HIS SHADOW HADN'T TIME TO GET OUT.
I HID IT.
I ROLLED IT UP, AND HERE IT IS.
AHA!
I DON'T THINK IT'S ANYONE WE KNOW
THOUGH HE DOES LOOK A SCOUNDREL.
I THINK HE'LL COME BACK FOR HIS SHADOW.
I DARESAY.
BUT I HAVEN'T TOLD YOU ALL.
THE BOY WAS NOT ALONE.
HE WAS ACCOMPANIED BY...
BY A BALL OF LIGHT NO BIGGER THAN MY FIST
THAT DARTED AROUND THE ROOM LIKE A LIVING THING.
THIS IS MOST UNUSUAL.
WHAT CAN IT MEAN?
WHAT, INDEED.
OH! OH, MY KNEE!
FATHER, SHE'S CRYING.
WHAT ABOUT ME?
NOBODY CODDLES ME.
I'M ONLY THE BREADWINNER.
WHY SHOULD I BE CODDLED?
LIZA WILL HEAR.
I REFUSE TO ALLOW THAT DOG
TO LORD IT OVER ME ONE HOUR LONGER.
OH, FATHER!
IN VAIN, IN VAIN.
YOUR PLACE IS DOWNSTAIRS.
COME ON, NANA.
REMEMBER WHAT I TOLD YOU ABOUT THAT BOY.
AM I MASTER IN THIS HOUSE OR IS SHE?
COME ON, NANA.
OW!
COME, NANA.
GOOD NANA.
NICE NANA.
DEAR NANA.
PRETTY NANA.
GOT YOU!
COME ON, THIS WAY.
BE BRAVE, DEAR.
OH, HE'S CHAINING NANA UP.
SHE'S UNHAPPY.
THAT'S NOT HER UNHAPPY BARK.
THAT'S HER BARK WHEN SHE SMELLS DANGER.
WENDY, ARE YOU SURE?
YES, MOTHER.
IS EVERYTHING ALL RIGHT?
IT'S ALL QUIET AND STILL.
I WISH I WEREN'T GOING OUT TO DINNER TONIGHT.
CAN ANYTHING HARM US, MOMMY
AFTER THE NIGHT-LIGHTS ARE LIT?
NO, PRECIOUS.
THEY'RE THE EYES A MOTHER LEAVES BEHIND
TO GUARD HER CHILDREN.
NOW, SING YOUR GOOD-NIGHT SONG
AND INTO YOUR BEDS.
¶ TENDER SHEPHERD, TENDER SHEPHERD ¶
¶ LET ME HELP YOU COUNT YOUR SHEEP ¶
¶ ONE IN THE MEADOW, TWO IN THE GARDEN ¶
¶ THREE IN THE NURSERY FAST ASLEEP... ¶
Michael: ¶ TENDER SHEPHERD, TENDER SHEPHERD... ¶
John: ¶ TENDER SHEPHERD, TENDER SHEPHERD... ¶
Wendy: ¶ TENDER SHEPHERD, TENDER SHEPHERD ¶
¶ WATCHES OVER ALL HIS SHEEP ¶
¶ ONE, SAY YOUR PRAYERS AND TWO, CLOSE YOUR EYES ¶
¶ AND THREE, SAFE AND HAPPILY FALL ASLEEP ¶
¶ FALL ASLEEP ¶
¶ FALL ASLEEP. ¶
FALL ASLEEP.
DEAR NIGHT-LIGHTS THAT PROTECT MY SLEEPING CHILDREN
BURN CLEAR AND STEADFAST TONIGHT.
( barking )
( bell tinkling )
TINKER BELL.
( Nana barking )
TINKER BELL!
TINK! WHERE ARE YOU?
THERE YOU ARE.
TINK, DO COME OUT OF THAT JUG.
TINK, DO YOU KNOW WHERE THEY PUT IT?
OVER THERE?
MY SHADOW.
I'LL STICK YOU ON WITH SOAP.
WHY, SHADOW, WHAT'S THE MATTER WITH YOU?
BOY, WHY ARE YOU CRYING?
WHAT'S YOUR NAME?
WENDY MOIRA ANGELA DARLING.
WHAT'S YOUR NAME?
PETER PAN.
WHERE DO YOU LIVE?
SECOND TO THE RIGHT
AND STRAIGHT ON TILL MORNING.
IS THAT WHAT THEY PUT ON YOUR LETTERS?
DON'T GET ANY LETTERS.
BUT YOUR MOTHER GETS LETTERS.
DON'T HAVE A MOTHER.
OH, PETER...
YOU MUSTN'T TOUCH ME!
BUT WHY?
NO ONE MUST EVER TOUCH ME.
WHY NOT?
I DON'T KNOW.
NO WONDER YOU WERE CRYING.
I WASN'T CRYING ABOUT THAT.
I CAN'T GET MY SHADOW TO STICK ON.
IT'S COME OFF?
HOW AWFUL!
OH, PETER
YOU'VE BEEN TRYING TO STICK IT ON WITH SOAP.
WELL, THEN?
I'LL HAVE TO SEW IT ON FOR YOU.
THANK YOU.
NOW YOU SIT THERE.
I DARESAY THIS WILL HURT A LITTLE.
I NEVER CRY.
( whistling )
THERE.
THANK YOU.
MY SHADOW!
MY VERY OWN SHADOW!
BUT IT'S ONLY A SHADOW.
YES, BUT IT'S ALL MINE.
OH, I'M CLEVER.
OH, THE CLEVERNESS OF ME.
OF COURSE, I DID NOTHING.
YOU'RE CONCEITED.
CONCEITED?
¶ NOT ME ¶
¶ IT'S JUST THAT I AM WHAT I AM ¶
¶ AND I'M ME ¶
¶ WHEN I LOOK AT MYSELF AND I SEE IN MYSELF ¶
¶ ALL THE WONDERFUL THINGS THAT I SEE ¶
¶ IF I'M PLEASED WITH MYSELF ¶
¶ I HAVE EVERY GOOD REASON TO BE ¶
¶ I'VE GOTTA CROW ¶
¶ I'M JUST THE CLEVEREST FELLOW 'TWAS EVER MY FORTUNE TO KNOW ¶
¶ I TAUGHT A TRICK TO MY SHADOW TO STICK TO THE TIP OF MY TOE ¶
¶ I'VE GOTTA CROW ¶
¶ I'VE GOTTA BRAG ¶
¶ I THINK IT'S SWEET I HAVE FINGERS AND FEET ¶
¶ I CAN WIGGLE AND WAG ¶
¶ I CAN CLIMB TREES AND PLAY TAG WITH THE BREEZE ¶
¶ IN THE MEADOWS BELOW ¶
¶ I'VE GOTTA CROW ¶
¶ IF I WERE A VERY ORDINARY, EVERYDAY THING ¶
¶ I'D NEVER BE HEARD ¶
¶ COCK-A-DOODLING 'ROUND LIKE A BIRD ¶
¶ SO NATURALLY ¶
¶ WHEN I DISCOVER THE CLEVERNESS OF A REMARKABLE ME ¶
¶ HOW CAN I HIDE IT ¶
¶ WHEN DEEP DOWN INSIDE IT JUST TICKLES ME SO ¶
¶ THAT I'VE GOTTA LET GO ¶
¶ AND CROW. ¶
 ( crowing )
( laughing )
¶ I'M REALLY A RARE THING ¶
¶ SUCH A FAIR THING ¶
¶ I CAN'T KEEP STILL ¶
¶ I'M BURSTING WITH PRIDE ¶
¶ AND I JUST COULDN'T KEEP IT INSIDE ¶
¶ IF I TRIED ¶
¶ SO NATURALLY ¶
¶ WHEN I DISCOVER THE CLEVERNESS OF A REMARKABLE ME ¶
¶ HOW CAN I HIDE IT ¶
¶ WHEN DEEP DOWN INSIDE IT JUST TICKLES ME SO ¶
¶ THAT I'VE GOTTA LET GO ¶
¶ AND CROW. ¶
( crowing )
OH, PETER, YOU ARE SO CLEVER.
PETER, HOW OLD ARE YOU?
I DON'T KNOW.
I RAN AWAY FROM HOME THE DAY I WAS BORN.
RAN AWAY? WHY?
I HEARD FATHER AND MOTHER
DISCUSSING WHAT I WAS TO BE
WHEN I BECAME A MAN.
I WANT TO ALWAYS BE A LITTLE BOY
AND TO HAVE FUN
SO I RAN AWAY.
I'VE LIVED A LONG TIME AMONG THE FAIRIES.
OH, PETER, DO YOU REALLY KNOW FAIRIES?
YES.
BUT THEY'RE NEARLY ALL DEAD NOW.
YOU SEE, WENDY
WHEN THE FIRST BABY LAUGHED FOR THE FIRST TIME
THE LAUGH BROKE INTO 1,000 PIECES
AND THEY ALL WENT SKIPPING ABOUT
AND THAT WAS THE BEGINNING OF FAIRIES.
NOW EVERY TIME A NEW BABY IS BORN
ITS FIRST LAUGH BECOMES A FAIRY.
THERE OUGHT TO BE A FAIRY FOR EVERY GIRL AND BOY.
OUGHT TO BE?
ISN'T THERE?
OH, NO.
CHILDREN KNOW SUCH A LOT NOW.
SOON THEY DON'T BELIEVE
AND EVERY TIME A CHILD SAYS, "I DON'T BELIEVE IN FAIRIES"
THERE'S A FAIRY SOMEPLACE THAT FALLS DOWN DEAD.
POOR THINGS!
I CAN'T THINK WHERE SHE'S GONE TO.
TINK!
PETER, YOU DON'T MEAN TO TELL ME
THERE'S A REAL LIVE FAIRY IN THIS ROOM?
SHE CAME HERE WITH ME.
( rattling )
( laughing )
WENDY, I BELIEVE I'VE SHUT HER UP IN THAT DRAWER.
YOU NEEDN'T SAY THAT.
I'M VERY SORRY.
HOW DID I KNOW YOU WERE IN THE DRAWER?
TINK, THIS LADY WISHES YOU WERE HER FAIRY.
WHAT DID SHE SAY?
SHE'S NOT VERY POLITE.
SHE SAYS YOU'RE A GREAT UGLY GIRL
AND SHE'S MINE.
TINK, YOU KNOW YOU CAN'T BE MY FAIRY
BECAUSE I'M A GENTLEMAN AND YOU'RE A LADY.
WHAT DID SHE SAY?
SHE SAID, "YOU SILLY ASS."
SHE'S QUITE A COMMON GIRL, YOU KNOW.
( Nana barking )
IT'S ALL RIGHT.
SHE'S CHAINED UP.
PETER, WHERE DO YOU LIVE?
WAY OUT THERE.
HOW DO YOU FIND YOUR WAY HOME?
YOU JUST FOLLOW ALL THE GOLDEN ARROWS.
WHERE DO THEY LEAD YOU?
IT'S A SECRET PLACE.
OH, PLEASE TELL ME.
WOULD YOU BELIEVE ME IF I TOLD YOU?
I PROMISE.
FOR SURE?
FOR SURE.
THEN I'LL TELL YOU.
¶ I HAVE A PLACE WHERE DREAMS ARE BORN ¶
¶ AND TIME IS NEVER PLANNED ¶
¶ IT'S NOT ON ANY CHART ¶
¶ YOU MUST FIND IT WITH YOUR HEART ¶
¶ NEVER NEVER LAND ¶
¶ IT MIGHT BE MILES BEYOND THE MOON ¶
¶ ORRIGHT THERE WHERE YOU STAND ¶
¶ JUST KEEP AN OPEN MIND ¶
¶ AND THEN SUDDENLY YOU'LL FIND ¶
¶ NEVER NEVER LAND ¶
¶ YOU'LL HAVE A TREASURE IF YOU STAY THERE ¶
¶ MORE PRECIOUS FAR THAN GOLD ¶
¶ FOR ONCE YOU HAVE FOUND YOUR WAY THERE ¶
¶ YOU CAN NEVER, NEVER GROW OLD ¶
¶ AND THAT'S MY HOME WHERE DREAMS ARE BORN ¶
¶ AND TIME IS NEVER PLANNED ¶
¶ JUST THINK OF LOVELY THINGS ¶
¶ AND YOUR HEART WILL FLY ON WINGS ¶
¶ FOREVER ¶
¶ IN NEVER NEVER LAND. ¶
PETER, WHAT DOES IT LOOK LIKE?
IT'S AN ISLAND, WENDY.
A LARGE ONE?
NO, QUITE SMALL AND NICELY CRAMMED.
THERE'S HARDLY ANY SPACE
BETWEEN ONE ADVENTURE AND ANOTHER.
OH, IT SOUNDS LOVELY.
WHO ELSE LIVES THERE, PETER?
THE LOST BOYS.
WHO ARE THEY?
THEY'RE THE CHILDREN
WHO FALL OUT OF THEIR CARRIAGES
WHEN THE NURSE IS LOOKING THE OTHER WAY.
IF THEY'RE NOT CLAIMED IN SEVEN DAYS
THEY'RE SENT FAR AWAY TO NEVER LAND.
I'M CAPTAIN.
WHAT FUN IT MUST BE.
YES... BUT WE'RE RATHER LONELY.
PETER, WHY DID YOU COME TO OUR NURSERY WINDOW?
TO HEAR THE STORIES.
NONE OF US KNOW ANY STORIES.
HOW PERFECTLY AWFUL.
WENDY, YOUR MOTHER
WAS TELLING YOU SUCH A LOVELY STORY.
OH? WHICH STORY IS IT?
IT WAS ABOUT THE PRINCE.
AND HE COULDN'T FIND
THE LADY WHO WORE THE GLASS SLIPPER.
OH... THAT'S CINDERELLA.
HE FOUND HER
AND THEY LIVED HAPPILY EVER AFTER.
I'M GLAD!
WHERE ARE YOU GOING?
TO TELL THE OTHER BOYS.
PLEASE DON'T GO.
I KNOW LOTS OF STORIES.
DO YOU?
OH, THE STORIES
I COULD TELL THE OTHER BOYS.
COME ON.
WE'LL FLY.
FLY? YOU CAN FLY?
WENDY, COME WITH ME.
HOW WE SHOULD ALL RESPECT YOU.
YOU COULD TUCK US IN AT NIGHT
AND MAKE POCKETS FOR US.
NONE OF US HAS ANY POCKETS.
WOULD YOU TEACH JOHN AND MICHAEL HOW TO FLY?
IF YOU LIKE.
JOHN! MICHAEL!
WAKE UP!
THERE'S A BOY HERE
WHO'S GOING TO TEACH US HOW TO FLY.
THERE IS?
THEN I'LL GET UP AT ONCE.
SOMEONE'S COMING.
QUICK! HIDE!
( barking )
THERE, YOU SEE?
THEY ARE PERFECTLY SAFE AND SOUND ASLEEP IN BED.
( barking )
NOW, NO MORE.
GO ALONG, YOU NAUGHTY DOG.
ALL CLEAR.
CAN YOU REALLY FLY?
I'LL TEACH YOU.
HOW LOVELY TO FLY.
I'LL TEACH YOU HOW TO JUMP ON THE WIND'S BACK
AND AWAY WE'LL GO.
WHEN YOU'RE SLEEPING IN YOUR SILLY BED
YOU MIGHT BE FLYING ABOUT WITH ME
SAYING FUNNY THINGS TO THE STARS
Michael: HOW DO YOU DO IT?
YOU JUST THINK LOVELY, WONDERFUL THOUGHTS
AND UP YOU GO.
I'M FLYING HIGH.
¶ I'M FLYING ¶
¶ LOOK AT ME, WAY UP HIGH ¶
¶ SUDDENLY HERE AM I ¶
¶ I'M FLYING ¶
¶ I CAN SOAR, I CAN WEAVE ¶
¶ AND WHAT'S MORE ¶
¶ I'M NOT EVEN TRYING ¶
¶ HIGH UP AND AS LIGHT AS I CAN BE ¶
¶ I MUST BE A SIGHT LOVELY TO SEE ¶
¶ I'M FLYING ¶
¶ NOTHING WILL STOP ME NOW ¶
¶ HIGHER STILL, LOOK AT HOW ¶
¶ I CAN ZOOM AROUND ¶
¶ WAY UP OFF THE GROUND ¶
¶ I'M FLYING ¶7
¶ I FLY AND I'M ALL OVER THE PLACE ¶
¶ YOU TRY AND YOU'LL FALL ¶
 ¶ FLAT ON YOUR FACE ¶
¶ I'M FLYING ¶
¶ OVER BED, OVER CHAIR ¶
¶ DUCK YOUR HEAD, CLEAR THE AIR ¶
¶ OH, SUCH LOVELY FUN ¶
¶ WATCH ME, EVERYONE ¶
¶ TAKE A LOOK AT ME AND SEE HOW EASILY IT'S DONE ¶
¶ I'M FLYING. ¶
YOU LIKE IT?
YES, PETER.
YOU WANT TO LEARN HOW?
OH, YES, PLEASE TEACH US.
FIRST I MUST SPILL THE FAIRY DUST ON YOU.
OH, ME. ME FIRST.
NOW THINK LOVELY THOUGHTS.
All: THINK LOVELY THOUGHTS.
FISHING.
HOPSCOTCH.
CANDY.
PICNICS.
SUMMER.
CANDY.
SAILING.
FLOWERS.
CANDY.
LOVELIER THOUGHTS, MICHAEL.
CHRISTMAS.
THAT'S IT!
DID YOU SEE ME?
I'LL TAKE YOU TO NEVER NEVER LAND.
NEVER LAND?
HOW LOVELY TO GO TO NEVER LAND.
THERE ARE PIRATES AND INDIANS.
PIRATES?
LET'S GO AT ONCE.
GET READY.
¶ YOU'RE READY? ¶
READY. READY. READY.
¶ DON'T FORGET, DON'T BE SLOW ¶
¶ READY, SET, HERE WE GO ¶
¶ WENDY, MICHAEL, JOHN ¶
¶ TINKER BELL, COME ON ¶
¶ HURRY UP AND FOLLOW ME, FOR I WILL SOON BE GONE ¶
¶ I'M FLYING. ¶
WAIT FOR ME! WAIT FOR ME!
WHERE ARE YOU GOING?
I'M FLYING!
COME ON, LIZA, I'M GOING TO NEVER LAND!
WHEE!
COME ON TO NEVER NEVER LAND.
I'M FLYING!
COME ON, LET'S FLY!
I'M FLYING!
Narrator: "SECOND TO THE RIGHT AND STRAIGHT ON TILL MORNING."
THAT IS THE WAY TO NEVER LAND.
IF YOU CLOSE YOUR EYES
YOU WILL SEE A POOL OF LOVELY, PALE COLORS.
IF YOU SQUEEZE THEM TIGHTER
THE POOL WILL TAKE ON DIFFERENT SHAPES
AND THE COLORS WILL BECOME BRIGHTER--
SO BRIGHT THAT IN A MOMENT THEY'LL GO ON FIRE.
AND IN THAT MOMENT, JUST BEFORE THEY DO
YOU WILL SEE NEVER LAND
A MAGIC ISLAND ON WHOSE SHORES
CHILDREN ARE FOREVER AT PLAY.
( clucking )
NOW!
( bird squawks )
DID YOU CATCH HER?
NO, BUT LOOK!
TOOTLES, HAS PETER COME BACK?
NO.
MAYBE HE'S WAITING FOR THE END OF CINDERELLA.
I'M AFRAID OF PIRATES AND INDIANS.
WHEN PETER'S NOT HERE TO PROTECT US.
OH, I'M NOT AFRAID OF ANYTHING.
OH! OH! OH!
YAY! YAY! YAY!
WHAT WAS THAT?
¶ WE MASSACRE INDIANS, KILL LITTLE BOYS ¶
¶ AND TAKE THEM TO CAPTAIN HOOK. ¶
PIRATES!
¶ YO HO! ¶
HAH!
¶ YO HO, YO HO, YO HO, HAH! ¶
¶ WE'RE BLOODY BUCCANEERS ¶
¶ AND EACH A MURDEROUS CROOK ¶
¶ WE MASSACRE INDIANS, KILL LITTLE BOYS ¶
¶ AND BRING THEM TO CAPTAIN HOOK! ¶
YO HO! YO HO!
YO HO!
YO HO! YO HO!
YO HO!
¶ AND BRING THEM TO CAPTAIN HOOK! ¶
CLUMSY!
BUTTERFINGERS!
I GOT HIM, CAPTAIN!
NO, CAPTAIN, NO!
DROP THAT PISTOL FIRST!
IT WAS ONE OF THOSE BOYS!
I COULD HAVE SHOT HIM!
AYE, AND IT WOULD BRING TIGER LILY AND HER INDIANS!
INDIANS!
DO YOU WANT TO LOSE YOUR SCALP?
THAT IS TRUE!
SHALL I AFTER HIM, CAPTAIN
AND TICKLE HIM WITH JOHNNY CORKSCREW?
JOHNNY'S A SILENT FELLOW.
NO, SMEE.
THAT'S ONLY ONE.
AND I WANT TO MISCHIEF ALL OF THEM.
THEY MUST BE ROUND HERE SOMEWHERE.
SCATTER AND LOOK FOR THEM!
BUT MOST OF ALL, I WANT THEIR CAPTAIN, PETER PAN.
'TWAS HE CUT OFF ME ARM.
I'VE WAITED LONG
TO SHAKE HANDS WITH HIM WITH THIS.
OOH, I'LL TEAR HIM!
YET I'VE OFT HEARD YOU SAY
YOUR HOOK WAS WORTH A SCORE OF HANDS
FOR COMBING THE HAIR AND OTHER HOMELY USES.
IF I WERE A MOTHER, I SHOULD PRAY
THAT ME CHILDREN BE BORN WITH THIS
INSTEAD OF THAT.
BUT PETER THREW ME HAND TO A CROCODILE
WHO HAPPENED TO BE PASSING BY.
AND THAT CROC LIKED THE TASTE OF ME HAND SO MUCH
HE'S FOLLOWED ME EVER SINCE.
FROM LAND TO LAND
FROM SEA TO SEA
HE FOLLOWS THE SHIP
LICKING HIS LIPS FOR THE REST OF ME!
IN A WAY, IT IS A SORT OF COMPLIMENT.
I WANT NO SUCH COMPLIMENTS!
I WANT PETER PAN
WHO FIRST GAVE THE BRUTE HIS TASTE FOR ME.
THAT CROC WOULD HAVE GOT ME LONG ERE THIS
IF IT COULD HAVE CREPT UPON ME UNAWARES
BUT, BY SOME LUCKY CHANCE, IT SWALLOWED A CLOCK.
A CLOCK!
IT GOES TICK, TOCK, TICK WITHIN HIM.
AND SO, BEFORE HE CAN REACH ME
I HEAR THE TICK AND BOLT!
( chuckling )
OH!
WHAT'S THE MATTER?
THIS SEAT'S HOT.
ODDS, BOBS, HAMMER AND TONGS-- I'M BURNING!
SMEE, HELP ME!
THAT'S ENOUGH, SMEE.
OOH.
( whispering: ) HELP ME.
AH, A CHIMNEY!
SMEE, THESE BOYS MUST BE LIVING...
( boys shouting )
UNDERGROUND.
CALL BACK THE MEN!
I MUST THINK!
INSPIRE ME!
PLAY, YOU DOGS.
WHAT TEMPO, CAPTAIN?
TEMPO, TEMPO, TEMPO...
A TANGO.
A TANGO!
( music begins )
( chuckling )
ON WITH YOUR PLAN, CAPTAIN.
TO COOK A CAKE QUITE LARGE
AND FILL EACH LAYER IN BETWEEN
WITH ICING MIXED WITH POISON
TILL IT TURNS A TEMPTING GREEN.
WE'LL PLACE IT NEAR THE HOUSE
JUST WHERE THE BOYS ARE SURE TO COME
AND BEING GREEDY, THEY WON'T CARE
TO QUESTION SUCH A PLUM!
¶ THE BOYS WHO HAVE NO MOTHER SWEET ¶
¶ NO ONE TO SHOW THEM THEIR MISTAKE ¶
¶ WON'T KNOW IT'S DANGEROUS TO EAT ¶
¶ SO DAMP AND RICH A CAKE! ¶
¶ AND SO, BEFORE THE WINKING OF AN EYE ¶
¶ THOSE BOYS WILL EAT THAT POISONED CAKE ¶
¶ AND ONE BY ONE ¶
¶ THEY'LL DIE! ¶
OLE!
All: BRAVO!
( ticking )
SMEE, SMEE...
WHAT'S THE MATTER?
THE CROC, THE CROC!
HOW DO YOU KNOW?
I CAN HEAR IT TICKING.
SAVE ME, SMEE, SAVE ME!
( Smee shrieking )
Smee: DON'T LEAVE ME, CAPTAIN.
DON'T LEAVE ME, CAPTAIN.
 THEY'RE GONE.
INDIANS!
( tom-toms beating )
SHH!
( screaming )
( giggling )
SHH!
MAKE'UM TOO MUCH NOISE!
LISTEN TO TIGER LILY.
WHEN ON WARPATH...
SHHHHH!
SHH! SHH! SHH!
UGGA WUGGA WIGWAM!
UGGA WUGGA WIGWAM.
YAH!
OOH.
HAH!
( sneezing )
SHH!
ITTY BITTY TEE HEE!
( giggling )
OH!
WA!
HE! UGH!
OH! WA! HE! UGH!
( war whoop )
HEE-HAW, HEE-HAW,
HEE-HAW. HEE-HAW.
WAH.
HAH.
HEE.
HA!
WAH!
UGGA WUGGA WIGWAM.
UGGA WUGGA WIGWAM!
OH.
SHH!
AH!
( whispering: ) THEY'RE GONE!
( shrieking )
HELP, HELP!
LOOK, A BIRD.
All: A BIRD!
POOR WENDY.
IT'S A WENDY BIRD.
BIRD MUST BE OMEN.
GOOD OR BAD OMEN?
FAMOUS INDIAN PROVERB:
WHEN IN DOUBT...
RUN!
LET'S SHOOT THE WENDY.
AYE, SHOOT IT QUICK.
BOWS AND ARROWS.
I'LL SHOOT IT!
I SHOT THE WENDY.
PETER WILL BE SO PLEASED WITH ME.
( fanfare )
IT'S PETER!
LET'S SURPRISE HIM WITH THE WENDY.
HIDE IT QUICK!
( crowing )
GREETINGS, BOYS.
I'M BACK, AND I HAVE A GREAT SURPRISE.
SO DO WE.
WE KILLED A GREAT BIG BIRD.
LOOK.
WENDY!
WITH AN ARROW IN HER HEART!
THIS IS NO BIRD.
IT'S A LADY.
All: A LADY?
I WAS BRINGING HER HERE TO BE OUR MOTHER
AND NOW YOU'VE KILLED HER.
WHOSE ARROW?
MINE, PETER.
OH, DASTARD HAND!
I CANNOT STRIKE.
SOMETHING STOPS ME.
LOOK AT HER ARM.
SHE LIVES!
All: SHE LIVES!
SEE? THE ARROW STRUCK AGAINST THIS BUTTON.
ARE YOU ASLEEP, WENDY?
THANK YOU.
DO YOU WANT TO GET UP AND PLAY?
HOW WILL WE GET WENDY
INTO THE HOUSE?
I KNOW.
WE'LL BUILD A HOUSE AROUND HER.
All: A HOUSE?
I HAVE A PLAN.
¶ WE'LL NEED LOTS OF WOOD ¶
¶ NEED LOTS OF LEAVES ¶
¶ NEED LOTS OF PAINT ¶
¶ BUT HUSH, HUSH, HUSH, HUSH, HUSH ¶
¶ LET'S BE QUIET AS A MOUSE ¶
¶ AND BUILD A LOVELY LITTLE HOUSE ¶
¶ FOR WENDY ¶
¶ ALL FOR WENDY ¶
¶ SHE'S COME TO STAY ¶
¶ AND BE OUR MOTHER ¶
¶ AT LAST WE HAVE A MOTHER ¶
¶ HOME SWEET HOME UPON THE WALL ¶
¶ A WELCOME MAT DOWN IN THE HALL ¶
¶ FOR WENDY ¶
¶ SO THAT WENDY WON'T GO AWAY ¶
¶ WE HAVE A MOTHER ¶
¶ AT LAST WE HAVE A MOTHER ¶
¶ OH, WHAT PLEASURE SHE'LL BRING TO US ¶
¶ MAKE US POCKETS ¶
POCKETS!
¶ AND SING TO US ¶
¶ TELL US STORIES WE'VE BEEN LONGING TO HEAR ¶
¶ OVER AND OVER ¶
¶ SHE'LL BE WAITING AT THE DOOR ¶
¶ WE WON'T BE LONELY ANYMORE ¶
¶ SINCE WENDY ¶
¶ LOVELY WENDY'S HERE TO STAY ¶
¶ WE HAVE A MOTHER ¶
¶ AT LAST WE HAVE A MOTHER ¶
HURRY UP.
BRING EVERYTHING FOR THE HOUSE.
QUICK, QUICK.
( whistling )
OH, THANKS.
( whistling )
¶ WE HAVE A MOTHER ¶
¶ AT LAST WE HAVE A MOTHER ¶
PETER, HOW DO WE GET OUT?
( whistling )
NOW.
OH!
( whistling )
¶ OH, WHAT PLEASURE SHE'LL BRING TO US ¶
¶ MAKE US POCKETS ¶
¶ AND SING TO US ¶
¶ TELL US STORIES WE'VE BEEN LONGING TO HEAR ¶
¶ OVER AND OVER ¶
¶ SHE'LL BE WAITING AT THE DOOR ¶
¶ WE WON'T BE LONELY ANYMORE ¶
¶ SINCE WENDY ¶
¶ LOVELY WENDY'S HERE TO STAY ¶
¶ WE HAVE A MOTHER ¶
¶ AT LAST WE HAVE A MOTHER ¶
¶ SHE'LL BE OUR MOTHER ¶
¶ IT'S NICE TO HAVE A MOTHER ¶
¶ WENDY'S ¶
¶ HERE TO STAY. ¶
All: WENDY, BE OUR MOTHER.
OH, I'D LOVE TO BE YOUR MOTHER
PROVIDED PETER WILL BE THE FATHER.
OH, ALL RIGHT.
AS LONG AS IT'S ONLY MAKE-BELIEVE.
¶ LA-LA-LA-LA LA-LA-LA-LA ¶
¶ LA-LA ¶
¶ LA-LA LA-LA ¶
¶ LA-LA-LA-LA ¶
¶ WE HAVE A MOTHER ¶
¶ AT LAST WE HAVE A MOTHER. ¶
LOOK. A CAKE.
OH, BOY!
NOW, CHILDREN, I'M SURE THIS CAKE
IS MUCH TOO DAMP AND RICH FOR YOU.
( complaining )
LET'S GO INSIDE AND BEFORE I PUT YOU TO SLEEP
I'LL HAVE JUST ENOUGH TIME TO FINISH THE CINDERELLA STORY.
( cheering )
THE GAME IS UP.
THOSE BOYS HAVE FOUND A MOTHER.
WHAT'S A MOTHER?
I MUST THINK.
WHAT TEMPO, CAPTAIN?
TEMPO, TEMPO, TEMPO, TEMPO...
A TARANTELLA.
A TARANTELLA!
( up-tempo music )
¶ METHINKS I SEE A SPARK, A GLEAM, A GLIMMER OF A PLAN ¶
¶ WITH WHICH, PERHAPS ¶
¶ I MAY REDEEM ME HONOR AS A MAN ¶
¶ KIDNAP WENDY, SEIZE THE BOYS ¶
¶ AND YOU'LL HAVE HOOK TO THANK ¶
¶ FOR WHEN THE TIME IS RIGHT ¶
¶ YOU'LL SEE THE CHILDREN WALK THE PLANK ¶
¶ OH, ENVY SUCH A PRINCELY PLOT ¶
¶ CONCOCTED BY ANOTHER ¶
¶ TO MURDER ALL THE BOYS ¶
¶ AND KEEP THE WENDY FOR OUR MOTHER ¶
¶ FA-LA-LA-LA, FA-LA-LA-LA ¶
¶ OH, AND KEEP THE WENDY ¶
¶ FOR OUR MOTHER ¶
¶ YO HO ¶
¶ TO THE SHIP ¶
¶ TO THE SHIP, THE SHIP, THE SHIP ¶
¶ TO THE SHIP ¶
¶ THE SHIP, THE SHIP ¶
¶ TO THE SHIP. ¶
THE SHIP.
GOOD NIGHT, PETER.
GOOD NIGHT, WENDY.
GUARD THE HOUSE WELL.
I WILL.
HOW DO YOU DO?
( soft orchestral music )
OH, THANK YOU.
Narrator: EXCITING ADVENTURES HAPPENED EVERY DAY ON THE ISLAND
BECAUSE IT WAS SO SMALL.
( squawking )
¶ UGGA WUGGA OSTRICH! ¶
¶ WE'RE BLOODY BUCCANEERS AND EACH A MURDEROUS CROOK. ¶
THERE! INDIANS!
PURSUE THEM!
A LITTLE RESPECT THERE FOR YOUR FATHER.
REPEAT AFTER ME:
¶ I WON'T GROW UP ¶
¶ I DON'T WANT TO GO TO SCHOOL ¶
¶ JUST TO LEARN TO BE A PARROT ¶
¶ AND RECITE A SILLY RULE ¶
¶ IF GROWING UP MEANS IT WOULD BE ¶
¶ BENEATH MY DIGNITY TO CLIMB A TREE ¶
¶ I'LL NEVER GROW UP, NEVER GROW UP ¶
¶ NEVER GROW UP ¶
¶ NOT ME ¶
¶ NOT I ¶
¶ NOT ME ¶
¶ NOT ME! ¶
¶ I WON'T GROW UP ¶
¶ I DON'T WANT TO WEAR A TIE ¶
¶ OR A SERIOUS EXPRESSION ¶
¶ IN THE MIDDLE OF JULY ¶
¶ AND IF IT MEANS I MUST PREPARE ¶
¶ TO SHOULDER BURDENS WITH A WORRIED AIR ¶
¶ I'LL NEVER GROW UP, NEVER GROW UP ¶
¶ NEVER GROW UP ¶
¶ NOT ME ¶
¶ NOT I ¶
¶ NOT ME ¶
¶ SO THERE ¶
¶ NEVER GONNA BE A MAN ¶
¶ I WON'T ¶
¶ LIKE TO SEE SOMEBODY TRY ¶
¶ AND MAKE ME ¶
¶ ANYONE WHO WANTS TO TRY ¶
¶ AND MAKE ME ¶
¶ TURN INTO A MAN ¶
¶ CATCH ME IF YOU CAN ¶
¶ I WON'T GROW UP ¶
¶ NOT A PENNY WILL I PINCH ¶
¶ I WILL NEVER GROW A MOUSTACHE ¶
¶ OR A FRACTION OF AN INCH ¶
¶ 'CAUSE GROWING UP IS AWFUL-ER ¶
¶ THAN ALL THE AWFUL THINGS THAT EVER WERE ¶
¶ I'LL NEVER GROW UP, NEVER GROW UP ¶
¶ NEVER GROW UP ¶
¶ NO, SIR! ¶
¶ I WON'T GROW UP ¶
¶ I WILL NEVER EVEN TRY ¶
¶ I WILL DO WHAT PETER TELLS ME ¶
¶ I WILL NEVER ASK HIM WHY ¶
¶ WE WON'T GROW UP ¶
¶ WE WILL NEVER GROW A DAY ¶
¶ AND IF SOMEONE TRIES TO MAKE US ¶
¶ WE WILL SIMPLY RUN AWAY ¶
¶ I WON'T GROW UP ¶
¶ NO, I PROMISE THAT I WON'T ¶
¶ I WILL STAY A BOY FOREVER ¶
¶ AND BE BANISHED IF I DON'T ¶
¶ 'CAUSE NEVERLAND WILL ALWAYS BE ¶
¶ THE HOME OF YOUTH AND JOY AND LIBERTY ¶
¶ I'LL NEVER GROW UP, NEVER GROW UP, NEVER GROW UP ¶
¶ NOT ME ¶ ¶ NOT ME ¶
¶ NO, SIR ¶
¶ NOT... ¶
¶ ME! ¶
Pirates: ¶ WE'RE BLOODY BUCCANEERS AND EACH A MURDEROUS CROOK! ¶
MOVE, YOU SPALPEEN, MOVE!
THE CAPTAIN ORDERED US TO TIE TIGER LILY TO THE TREE
AND LEAVE HER THERE FOR THE WOLVES.
POOR TIGER LILY.
WHAT WAS THAT?
AHOY THERE, YOU LUBBERS!
IT IS THE CAPTAIN.
HE MUST BE CLOSE BY.
WE HAVE TIED THE INDIAN TO THE TREE, CAPTAIN!
SET HER FREE!
OH, BUT, CAPTAIN...
CUT HER BONDS, OR I'LL PLUNGE ME HOOK IN YOU.
BETTER DO WHAT THE CAPTAIN ORDERS.
AYE-AYE.
( war whoop )
AHOY THERE!
IT IS THE CAPTAIN.
CAPTAIN, IS ALL WELL?
ALL IS VERY WELL.
WHERE'S THE REDSKIN?
IT IS ALL RIGHT.
WE LET HER GO.
LET HER GO?
'TWAS YOUR OWN ORDERS, CAPTAIN.
YOU CALLED TO US TO LET HER GO.
BRIMSTONE AND GALL!
WHAT COZENING IS HERE?
( laughing )
SPIRIT THAT HAUNTS THIS DARK FOREST TONIGHT
DOST HEAR ME?
ODDS, BOBS, HAMMER AND TONGS.
I HEAR YOU.
TELL ME, SPIRIT
WHO ARE YOU?
I AM HOOK.
HOOK?
CAPTAIN OF THE JOLLY ROGER.
THEN IF YOU ARE HOOK
WHO AM I?
A CODFISH.
A CODFISH?
HAVE WE BEEN CAPTAINED ALL THIS TIME
BY A CODFISH?
IT'S LOWERING TO OUR PRIDE.
YEAH.
COME ON, BOYS.
DON'T LEAVE ME!
SPIRIT OF THE FOREST
HAVE YOU ANOTHER NAME?
YES.
IS IT, UH... VEGETABLE?
NO.
UH... MINERAL?
NO.
ANIMAL?
YES!
AH!
HAVE YOU ANOTHER VOICE?
YES!
¶ LA-LA-LA, LA-LA-LA ¶
¶ LA-LA-LA-LA-LA ¶
¶ LA-AH-AH-LA-LA ¶
IT'S A LADY!
( trilling )
IT'S A BEAUTIFUL LADY!
¶ OH, MY MYSTERIOUS LADY ¶
¶ WHAT IS YOUR NAME? ¶
¶ OH ¶
¶ OH, MY MYSTERIOUS LADY ¶
¶ FROM WHENCE HAVE YOU CAME? ¶
¶ OH ¶
¶ LA-LA LA LA-LA-LA ¶
 ¶ ANSWER MY PLEA ¶
¶ WHOMAY YE BE? ¶
¶ LA-LA-LA-LA, LA-LA-LA ¶
¶ LA-LA, LA-LA, LA-LA, LA-LA ¶
AH!
¶ OH, MY MYSTERIOUS LADY ¶
¶ WHAT IS YOUR NAME? ¶
¶ TAKE OFF THAT VEIL ¶
¶ AND LET ME SEE YOUR FACE ¶
¶ WHY HIDE YOUR BEAUTY ¶
¶ BENEATH THAT TON OF LACE? ¶
¶ TAKE OFF YOUR VEIL AND LET ME SEE YOUR FACE ¶
¶ WHY HIDE YOUR BEAUTY BENEATH THAT TON OF LACE? ¶
¶ TAKE OFF YOUR VEIL AND LET ME SEE YOUR FACE ¶
¶ WHY HIDE YOUR BEAUTY BENEATH THAT TON OF LACE? ¶
OH.
¶ WHAT'S YOUR SECRET? ¶
¶ LA-LA-LA-LA-LA, LA! ¶
¶ TELL YOUR SECRET ¶
¶ LA-LA-LA-LA-LA, LA! ¶
¶ SPEAK, OH, SPEAK, OH, SPEAK, I PRAY ¶
¶ TELL ME, OH, TELL ME YOUR NAME ¶
¶ AH-AH-AH-AH-AH-AH-OH... ¶
( trilling )
POR FAVOR.
( operatic trill )
MISERO CUORE.
¶ DI, DI, DI ¶
( silently )
( flute trill )
( vocal trill )
( flute trill )
( vocal trill )
¶ ¶ ¶ OH-OH, OH-OH ¶
( trilling )
( Russian folk dance music )
¶ HEY! ¶
YOO-HOO!
( screaming )
( cheering and whooping )
DON'T SHOOT!
WE'RE FRIENDS NOW.
All: FRIENDS?
I SAVED TIGER LILY'S LIFE
AND SHE SAVED MINE.
NO HANDS.
COME ON, SHAKE HANDS WITH YOUR NEW BROTHERS.
AW, DON'T BE AFRAID.
TIGER LILY, LET'S SMOKE-UM PEACE PIPE.
¶ UGUWA UGUWA UGUWA UGUWA WA ¶
¶ GUGABUK GUGABUK GUGABUK GUGABUK WA! ¶
¶ WHO! ¶
¶ UGABUT UGABUT UGABUT UGABUT ¶
¶ AH POWABO ¶
¶ WHEN WE GET IN TROUBLE
¶ UGO WOO ¶
¶ THERE'S JUST ONE THING TO DO ¶
¶ I'LL JUST SEND FOR TIGER LILY ¶
¶ I'LL SEND FOR PETER PAN ¶
¶ WE'LL BE COMING WILLY-NILLY, LILY ¶
¶ BEAT ON THE DRUM AND I WILL COME ¶
¶ AND I WILL COME AND SAVE THE BRAVE NOBLE REDSKIN ¶
¶ BOOM BOOM ¶
¶ UGUWA UGUWA UGUWA UGUWA WA ¶
¶ UGABUT UGUBUT UGABUT UGABUT WA ¶
¶ U-GU-WA WA! ¶
¶ IBITY-BIBITY IBITY-BIBITY SABO ¶
¶ PUFF-WUFF PUFF-WUFF PUFF-WUFF PUFF-WUFF ¶
¶ PA-WUFF ¶
¶ IBITY-BIBITY IBITY-BIBITY SABUL SEVIL ¶
¶ IF WE COME TO EVIL ¶
¶ SABUL SOO ¶
¶ THERE'S JUST ONE THING TO DO ¶
¶ WE'LL JUST SEND FOR TIGER LILY ¶
¶ WE'LL SEND FOR PETER PAN ¶
¶ WE'LL BE COMING WILLY-NILLY, LILY ¶
¶ SEND UP A FLARE ¶
¶ AND I'LL BE THERE ¶
¶ YOU KNOW YOU REALLY GOT A FRIEND ¶
¶ A FRIEND ¶
¶ WE'LL BE TRUE BLOOD BROTHERS TO THE END ¶
UGUTWA!
UGUTWA, UGUTWA, UGUTWA.
¶ UGUWA UGUWA UGUWA UGUWA WA HOOP ¶
¶ BOOPIDO BOOPIDO BOOPIDO BOOPIDO WA HOOP ¶
¶ UGUWA UGUWA UGUWA UGUWA AGO-WETCHA ¶
¶ IF THE PIRATES GETCHA ¶
¶ AND YOU'RE TOOK AWAY BY CAPTAIN HOOK ¶
¶ HOOK?! ¶
WHAT DO WE DO?
¶ I'LL JUST SEND FOR TIGER LILY ¶
¶ I'LL SEND FOR PETER PAN ¶
¶ WE'LL BE COMING WILLY-NILLY, LILY ¶
¶ SEND UP A FLARE ¶
¶ AND I'LL BE THERE ¶
¶ YOU KNOW YOU REALLY GOT A FRIEND ¶
¶ A FRIEND ¶
¶ WE'LL BE TRUE BLOOD BROTHERS TO THE END. ¶
TIGER LILY, I'M TERRIBLY SORRY
BUT I'LL NEVER GET MY CHILDREN TO SLEEP
AFTER ALL THIS EXCITEMENT.
OH, WE GO UP AND KEEP GUARD.
WATCH FOR PIRATES.
NOW, CHILDREN, MAKE YOUR FATHER COMFORTABLE.
HERE'S YOUR CHAIR, FATHER.
HERE ARE YOUR SLIPPERS, FATHER.
HERE'S YOUR PIPE, FATHER.
HERE'S YOUR PAPER, DADDY.
NOW LET'S GO INSIDE AND GET WASHED UP.
THEY ARE SWEET, AREN'T THEY, PETER?
THERE'S NOTHING BETTER THAN SITTING BY THE FIRESIDE
WITH THE LITTLE ONES CLOSE BY, MOTHER.
PETER, DON'T YOU THINK I'M TOO BIG FOR A CRADLE?
A LITTLE LESS NOISE THERE.
WHAT IS IT, PETER?
IT'S ONLY PRETEND, ISN'T IT
THAT I'M THEIR FATHER?
OH, YES, PETER.
BUT THEY ARE OURS, YOURS AND MINE.
BUT NOT REALLY.
WELL, NO, NOT IF YOU DON'T WISH IT.
I DON'T.
PETER, WHAT ARE YOUR EXACT FEELINGS FOR ME?
THOSE OF A DEVOTED SON, WENDY.
I THOUGHT SO.
YOU'RE SO STRANGE.
TINKER BELL'S JUST THE SAME.
THERE'S SOMETHING SHE WANTS TO BE TO ME
BUT SHE SAYS IT'S NOT MY MOTHER.
( tinkling )
I ALMOST AGREE WITH HER.
John: WE'RE READY FOR BED.
Tootles: I EVEN BRUSHED MY TEETH.
Wendy: INTO YOUR BEDS YOU GO.
PETER, DO YOU KNOW A LULLABY
TO SING TO OUR CHILDREN?
LULLABY?
LULLABY...
I THINK SO.
SOMETIMES LATE AT NIGHT, I SEEM TO REMEMBER...
¶ ONCE UPON A TIME AND LONG AGO ¶
¶ I HEARD SOMEONE SINGING SOFT AND LOW ¶
¶ NOW WHEN DAY IS DONE AND NIGHT IS NEAR ¶
¶ I RECALL THIS SONG I USED TO HEAR ¶
¶ MY CHILD, MY VERY OWN ¶
¶ DON'T BE AFRAID, YOU'RE NOT ALONE ¶
¶ SLEEP UNTIL THE DAWN FOR ALL IS WELL ¶
¶ LONG AGO, THIS SONG WAS SUNG TO ME ¶
¶ NOW IT'S JUST A DISTANT MELODY ¶
¶ SOMEWHERE FROM THE PAST I USED TO KNOW ¶
¶ ONCE UPON A TIME AND LONG AGO. ¶
WENDY?
YES, MICHAEL?
I'M HOMESICK.
I WANT TO GO HOME.
SO DO I.
YES, WE ST GO HOME.
PERHAPS MOTHER WILL BE IN HALF-MOURNING BY THIS TIME.
WENDY, YOU'RE NOT LEAVING US.
I MUST-- AT ONCE.
PETER, I APPEAL TO YOU
TO MAKE THE NECESSARY ARRANGEMENTS.
ALL RIGHT.
TINK, YOU'RE TO GET UP AND TAKE WENDY
ON A JOURNEY ACROSS THE SEA.
( tinkling )
DEAR ONES, IF YOU COME WITH ME
I FEEL ALMOST SURE
MY MOTHER AND FATHER WOULD ADOPT YOU.
All: HOORAY!
CAN WE GO, PETER?
ALL RIGHT.
All: OH, BOY!
THEN PUT YOUR BEDS AWAY QUICKLY
AND BE SURE TO BRING THE BABY CLOTHES
YOU WERE LOST IN.
PETER, I'M GOING TO GIVE YOU YOUR MEDICINE.
GET YOUR THINGS, PETER.
I'M NOT GOING WITH YOU, WENDY.
YES, PETER.
NO.
BUT WHY NOT?
I DON'T WANT TO GROW UP AND LEARN ABOUT SOLEMN THINGS.
I JUST WANT TO ALWAYS BE A LITTLE BOY AND TO HAVE FUN.
NO ONE'S GOING TO CATCH ME AND MAKE ME A MAN.
WE'RE READY TO GO NOW.
PETER ISN'T COMING WITH US.
All: PETER, COME ON.
THEN, PETER, WE WON'T LEAVE YOU.
IT'S ALL RIGHT.
IF YOU FIND YOUR MOTHERS, I HOPE YOU LIKE THEM.
All: NO, PETER...
NOW, NO FUSS, NO BLUBBERING.
JUST SAY GOOD-BYE.
( shouting )
SHH, IT'S OVER.
BUT WHO WON?
IF THE INDIANS WON, THEY'LL BEAT THE TOM-TOMS.
LISTEN!
( rhythmic thumping )
THE INDIANS HAVE WON.
AN INDIAN VICTORY!
All: HOORAY!
YOU'LL BE PERFECTLY SAFE NOW, WENDY.
TIGER LILY WILL ESCORT YOU THROUGH THE FOREST.
AND HERE'S SOME FAIRY DUST TO HELP YOU FLY.
GOOD-BYE, BOYS.
GOOD-BYE, PETER.
AND THANK YOU.
BYE, PETER.
GOOD-BYE, PETER.
PETER...
THAT'S YOUR MEDICINE, YOU KNOW.
I WON'T FORGET IT.
PETER, IF YOU COME FOR ME ONCE A YEAR
I'LL DO YOUR SPRING CLEANING.
WILL YOU COME?
IF YOU LIKE.
YOU WON'T FORGET?
PETER, IF ANOTHER LITTLE GIRL
 ONE YOUNGER THAN I...
PETER, HOW I WISH I COULD TAKE YOU UP
AND SQUEEZE YOU.
YES, I KNOW.
WELL, GOOD-BYE.
WENDY?
TAKE THEM ALL TO THE SHIP.
THE BOYS WE'LL MAKE WALK THE PLANK.
AND WENDY WILL BE OUR MOTHER.
( laughing )
BUT WHAT ABOUT PETER?
THIS FOR PETER.
POISON.
AYE.
( chuckling )
HE'S DOOMED.
 ( tinkling )
IS ANYONE THERE?
( tinkling )
WHAT?
THE INDIANS HAVE BEEN DEFEATED?
AND WENDY AND THE BOYS
HAVE BEEN CAPTURED BY THE PIRATES?
I'LL RESCUE HER.
( tinkling )
OH, THAT'S JUST MY MEDICINE.
( tinkling )
POISONED? NONSENSE.
WHO COULD HAVE POISONED IT?
I PROMISED WENDY TO TAKE IT, AND I'M GOING TO
AS SOON AS I SHARPEN MY DAGGER.
TINK.
YOU'VE DRUNK MY MEDICINE.
( tinkling faintly )
WHAT'S THE MATTER WITH YOU?
IT WAS POISONED?
YOU DRANK IT TO SAVE MY LIFE?
TINK. DEAR TINK.
YOU'RE DYING.
YOUR LIGHT IS GROWING FAINT
AND IF IT GOES OUT, THAT MEANS YOU'RE DEAD.
YOUR VOICE IS SO LOW
I CAN SCARCELY HEAR WHAT YOU'RE SAYING.
YOU THINK... YOU THINK THAT...
THAT WHAT, TINK?
( tinkling )
THAT YOU COULD GET WELL AGAIN
IF CHILDREN BELIEVED IN FAIRIES.
DO YOU BELIEVE?
OH, PLEASE, PLEASE BELIEVE.
IF YOU BELIEVE, WHEREVER YOU ARE
CLAP YOUR HANDS AND SHE'LL HEAR YOU.
CLAP, CLAP!
DON'T LET TINK DIE! CLAP.
( tinkling )
SHE'S GETTING BETTER.
CLAP, CLAP!
( tinkling )
SHE'S GETTING STRONGER.
SHE'S ALL WELL NOW.
THANK YOU, THANK YOU, THANK YOU.
AND NOW TO RESCUE WENDY!
Narrator: IT IS NIGHT IN NEVER LAND.
NOT FAR FROM THE MERMAID'S LAGOON
ONE GREEN LIGHT SQUINTING OVER KIDD'S CREEK
WHICH IS NEAR THE MOUTH OF THE PIRATE RIVER
MARKS WHERE THE SHIP THE JOLLY ROGER LIES AT ANCHOR.
A RAKISH-LOOKING CRAFT, FOUR TO THE HULL
SHE LIES LOW IN THE DARK WATER
WRAPPED IN THE BLANKET OF THE NIGHT
A CANNIBAL OF THE SEAS.
( shouting )
HOW STILL THE NIGHT IS.
NOTHING SOUNDS ALIVE.
NOW IS THE HOUR
WHEN CHILDREN IN THEIR HOMES ARE ABED
THEIR LIPS BRIGHT BROWN WITH A GOOD-NIGHT CHOCOLATE
AND THEIR TONGUES DROWSILY SEARCHING FOR BELATED CRUMBS
HOUSED INSECURELY ON THEIR SHINING CHEEKS.
COMPARE WITH THEM
THE CAPTIVE CHILDREN ON THIS BOAT.
SPLIT ME INFINITIVES, BUT 'TIS ME HOUR OF TRIUMPH--
PETER KILLED AT LAST
AND ALL THE BOYS ABOUT TO WALK THE PLANK.
I'VE REACHED ME PEAK.
I'M THE GREATEST VILLAIN OF ALL TIME.
WHO WAS BLUEBEARD?
All: NOBODY!
WHO WAS NERO?
NOBODY!
WHO WAS JACK THE RIPPER?
NOBODY!
¶ WHO'S THE SWINIEST SWINE IN THE WORLD? ¶
¶ CAPTAIN HOOK, CAPTAIN HOOK ¶
¶ WHO'S THE DIRTIEST DOG IN THIS WONDERFUL WORLD? ¶
¶ CAPTAIN HOOK, CAPTAIN HOOK ¶
¶ CAPTAIN OF VILLAINY, MURDER AND LOOT ¶
¶ EAGER TO KILL ANY ¶
¶ WHO SAYS THAT HIS HOOK ISN'T CUTE ¶
IT'S CUTE!
( laughing )
¶ WHO'S THE SLIMIEST RAT IN THE PACK? ¶
¶ CAPTAIN HOOK, CAPTAIN HOOK ¶
¶ WHO'S UNLOVABLE? ¶
YOU!
¶ WHO'S UNLIVABLE? ¶
YOU!
¶ WHOSE BEHAVIOR IS QUITE UNFORGIVABLE? ¶
YOU!
¶ WHO WOULD STOOP TO THE LOWEST ¶
¶ AND MEANEST OF TRICKS IN THE BOOK? ¶
¶ TRICKS IN THE BOOK ¶
¶ SLIMY ¶
¶ SLIMY CAPTAIN HOOK ¶
¶ CAPTAIN HOOK ¶
¶ CAPTAIN HOOK. ¶
( gunshot )
( cheering )
( gunshot )
OH, WELL.
( cheering )
ALL MORTALS ENVY ME
YET BETTER FOR HOOK TO HAVE HAD LESS AMBITION.
OH, FAME, FAME, THOU GLITTERING BAUBLE
IN SEARCHING FOR THEE, WHAT FAME HAVE I NOT LOST?
( rip )
NO LITTLE CHILDREN LOVE ME.
I'M TOLD THEY PLAY AT PETER PAN
AND THE STRONGEST ALWAYS CHOOSES TO BE PETER.
THEY FORCE THE BABY TO BE HOOK.
THE BABY... THAT'S WHERE THE CHANCRE GNAWS.
I'M TOLD THEY FIND SMEE LOVABLE.
HOW CAN I BREAK IT TO HIM THAT THEY FIND HIM LOVABLE?
NO, BICARBONATE OF SODA, NO!
NOT EVEN...
( rip )
SMEE?
ALL IN ONE PIECE?
WHO'S THE SWINIEST?
SWINIEST!
THE DOGGIEST?
DOGGIEST!
THE SLIMIEST?
SLIMIEST!
¶ WHO'S THE CREEPIEST CREEP IN THE WORLD ¶
¶ CAPTAIN HOOK, CAPTAIN HOOK ¶
¶ WHO'S DISPENSABLE, REEHENSIBLE? ¶
¶ WHOSE BEHAVIOR IS QUITE INDEFENSIBLE? ¶
YOU!
¶ WHO'S THE CRAWLINGEST, CRUELEST, CRUMMIEST ¶
¶ CROOKEDEST CROOK? ¶
¶ WHAT A PRIZE, WHAT A JOY ¶
¶ MRS. HOOK'S LITTLE BABY BOY ¶
¶ THE SCOURGE OF THE SEA ¶
¶ JUST LITTLE OLD ME ¶
¶ CAPTAIN ¶
¶ HOOK, HOOK, HOOK ¶
¶ HOOK, HOOK, HOOK, HOOK, HOOK, HOOK ¶
¶ YO HO! ¶
( snarling )
FETCH IN THE PRISONERS AND BRING UP THEIR MOTHER.
AYE! AYE! AYE!
WELL, ME PROUD BEAUTY
YOU'RE ABOUT TO SEE YOUR CHILDREN WALK THE PLANK.
ARE THEY TO DIE?
THEY ARE.
( laughing )
SILENCE, ALL
FOR A MOTHER'S LAST WORDS TO HER SONS.
THESE ARE MY LAST WORDS...
THANK YOU.
TAKE THEM IN AND FETCH IN THE PLANK.
SMEE, SMEE
WHAT'S THE MATTER?
THE CLOCK, THE CROC.
HIDE ME, SMEE.
I'LL HIDE YOU.
( ticking )
 SHH!
( screaming )
WHAT WAS THAT?
BLACK BILL'S DEAD... STABBED.
THE CABIN'S AS BLACK AS A PIT.
THERE'S SOMETHING TERRIBLE IN THERE--
THE THING YOU HEARD CRAWLING.
CECCO, GO BACK AND FETCH ME OUT THAT DOODLE-DO.
NO, CAPTAIN, NO.
CECCO...
CAPTAIN, DON'T MAKE ME GO BACK IN THERE.
I'LL GO, I'LL GO.
( screaming )
S'DEATH AND ODDS FISH!
WILL NO ONE FETCH ME OUT THAT DOODLE-DO?
WAIT TILL CECCO COMES OUT.
YEAH! YEAH!
DID I HEAR YOU VOLUNTEER, STARKEY?
NO, BY THUNDER.
ME HOOK THINKS YOU DID.
HUMOR THE HOOK.
I'LL SWIM BEFORE I GO IN THERE.
YEAH. YEAH.
MUTINY?
THEN STARKEY IS THE RINGLEADER.
COME ON, STARKEY.
OH!
ANY OTHER GENTLEMEN SUGGEST MUTINY?
I'LL GO IN TO FETCH OUT THE DOODLE-DO MESELF.
SOMEONE PUT OUT THE LIGHT.
SOMEONE?
WHERE'S CECCO?
HE'S AS DEAD AS BILL.
POOR CECCO.
IT'S HOOK'S FAULT.
( shouting )
WHY NOT SEND THEM INSIDE TO FIND THE DOODLE-DO?
IF THEY KILL HIM, SO MUCH THE BETTER.
AND IF HE KILLS THEM, WE'RE NONE THE WORSE.
( cheering )
THE DOODLE-DO'S KILLED THEM ALL.
THE SHIP'S BEWITCHED.
THERE'S A JONAH ABOARD.
AYE-AYE, THERE'S A JONAH ABOARD.
IT'S A MAN WITH A HOOK.
NO, NO, LADS, IT'S A GIRL.
( excited chatter )
TAKE HER TO THE PLANK.
TO THE PLANK.
( screaming )
THERE'S NONE CAN SAVE YOU NOW, MISSY.
THERE IS ONE!
WHO'S THAT?
PETER PAN, THE AVENGER.
 NO! LET ME AT HIM!
Children: NO!
WAIT, BOYS.
THIS MAN IS MINE.
YAY!
SO, PAN, THIS IS ALL YOUR DOING?
AYE, HOOK, THIS IS ALL MY DOING.
PROUD AND IMPUDENT YOUTH, PREPARE TO MEET THY DOOM.
DARK AND SINISTER MAN, HAVE AT THEE.
( children cheering )
I SAY IT AS THOUGH IT'S MY LAST BREATH--
IT ISN'T FAIR.
'TIS A FIEND THAT'S FIGHTING ME.
PAN, WHO AND WHAT ART THOU?
I AM YOUTH.
I AM JOY.
I AM FREEDOM!
( children cheering )
I'LL BLOW UP THE SHIP.
Children: SAVE US!
( cheering )
SHH!
( screaming )
IN FOUR MINUTES, THIS SHIP WILL BE BLOWN TO PIECES.
BACK, YOU PULING SPAWN.
I'LL SHOW YOU THE ROAD TO DUSTY DEATH.
THERE WILL BE A HOLOCAUST OF CHILDREN.
THERE'S SOMETHING GREAT TO THE IDEA.
( screaming )
THE CROC! THE CROC!
THE CROC!
PAN, NO WORDS OF MINE
CAN EXPRESS ME UTTER CONTEMPT FOR YOU.
( explosion )
 ¶ YO HO! YO HO! ¶
¶ THE WONDERFUL PETER PAN! ¶
PETER PAN IS THE SUN
AND THE MOON AND THE STARS.
PETER PAN IS A LUMP OF DELIGHT.
PETER PAN IS THE BRAVEST AND STRONGEST OF ALL BOYS!
YES, I KNOW.
I DON'T SAY IT TO BOAST.
IT'S BECAUSE I CANNOT TELL A LIE.
¶ I GOTTA CROW ¶
( crowing )
¶ I'M JUST THE CLEVEREST FELLA 'TWAS EVER MY FORTUNE TO KNOW ¶
 ( crowing )
¶ I GIVE THE SIGN AND THE SUNLIGHT WILL SHINE ¶
¶ AND THE FOREST WILL GROW ¶
¶ AND THE RIVERS WILL FLOW ¶
¶ I GOTTA CROW. ¶
( crowing )
AWAY WITH THEM!
OH, PETER, YOU ARE THE MOST WONDERFUL BOY
IN THE WHOLE WORLD.
IS THERE ANYTHING THAT YOU COULDN'T DO?
NOTHING.
PETER, WILL YOU TEACH ME HOW TO CROW?
SURE.
¶ YOU DO IT TOO ¶
ME?
YES.
¶ AND IF YOU CHOOSE ¶
¶ YOU WILL FIND SUCH UNUSUAL THINGS YOU CAN DO ¶
( squeaking )
¶ YOU'RE GETTING WARM ¶
¶ BUT YOUR MOUTH SHOULD BE FORMING A HAPPIER... ¶
( crows )
( squeaks )
( crows )
( squeaks )
¶ DON'T BE SUCH A SISSY ¶
¶ PRIM AND PRISSY ¶
¶ LET OUT A CROW ¶
¶ YOU'VE NOTHING TO FEAR ¶
¶ COME AND WHISPER IT CLOSE TO MY EAR ¶
( squeaking louder )
( crowing )
GOOD!
¶ AND NOW WE CAN CROW ¶
( crowing )
¶ JUST LIKE THE ROOSTER WE'LL BE OUR OWN BOOSTER ¶
¶ AND LET OUT A CROW ¶
( crowing )
¶ WE'LL GIVE THE PROUDEST AND GAYEST AND LOUDEST ¶
¶ A CROW THAT WE KNOW ¶
( clucking )
¶ EVERYBODY LET GO ¶
¶ AND CROW. ¶
( crowing )
( whimpering )
OH, NANA, DEAR, IT BREAKS MY HEART
TO SEE YOU TURN DOWN THEIR BEDS
NIGHT AFTER NIGHT
BUT THEY'LL NEVER COME BACK.
NEVER.
NO, NANA!
DON'T DISTURB THE MASTER.
HE USES YOUR HOUSE AS HIS HOME OUT OF REMORSE.
I'LL WAKE HIM WHEN IT'S TIME FOR HIS DINNER.
¶ TENDER SHEPHERD, TENDER SHEPHERD ¶
¶ LET ME HELP YOU COUNT YOUR SHEEP ¶
¶ ONE IN THE MEADOW... ¶
WELCOME HOME, CHILDREN!
MAMA!
A LITTLE LESS NOISE THERE, PLEASE.
A LITTLE LESS NOISE.
FATHER, THE CHILDREN HAVE COME HOME.
MICHAEL, JOHN, WENDY...
FATHER.
HELLO.
WHO ARE THEY?
THERE ARE A FEW MORE OF US.
WON'T YOU ADOPT THEM, FATHER?
ADOPT THEM?
ALL SIX OF THEM?
PLEASE, FATHER.
DON'T YOU THINK WE COULD MANAGE?
WELL, WHAT'S ANOTHER SIX OR SEVEN?
¶ WE WILL GROW UP ¶
¶ THEY WILL GROW UP ¶
¶ WE WILL MIND OUR P's AND Q's ¶
¶ THEY WILL MIND THEIR P's AND Q's ¶
¶ WE WILL NEVER BE A BOTHER ¶
¶ THEY WILL NEVER BE A BOTHER ¶
¶ AND WE'LL ALWAYS SHINE OUR SHOES ¶
TO THINK OF ALL THOSE SHOES.
¶ WE HAVE NO ROOM TO SPARE, IT'S TRUE ¶
¶ BUT, OH, WHAT OF IT? WE'LL PRETEND WE DO ¶
¶ WE'RE GONNA GROW UP ¶
¶ GONNA GROW UP ¶
¶ LIKE ME ¶
¶ LIKE I ¶
¶ LIKE ME ¶
( barks )
¶ LIKE ME. ¶
NOW, GO CLEAN UP.
TO THE TUB, TO THE TUB.
IT'S TIME FOR MICHAEL'S BATH.
COME, JOHN.
 YOU WON'T FORGET TO COME FOR ME, PETER?
PLEASE, PLEASE DON'T FORGET.
Narrator: THAT WAS THE LAST TIME THE GIRL WENDY EVER SAW PETER.
YEARS CAME AND WENT WITHOUT BRINGING THE CARELESS BOY.
WENDY TRIED, FOR PETER'S SAKE, NOT TO HAVE GROWING PAINS
BUT YOU SEE
ALL CHILDREN, EXCEPT PETER, GROW UP.
THEN, ONE NIGHT, A LONG TIME AFTER
WHEN IT WAS ONCE MORE SPRING CLEANING TIME
THE STARS BLEW OPEN THE NURSERY WINDOWS.
HELLO, WENDY.
PETER!
WHERE'S JOHN?
OH, HE'S NOT HERE NOW.
IS MICHAEL ASLEEP?
YES... NO, THAT'S NOT MICHAEL.
IS IT A NEW ONE?
YES.
BOY OR GIRL?
IT'S A GIRL.
WHAT'S HER NAME?
JANE.
PETER
ARE YOU EXPECTING ME TO FLY AWAY WITH YOU?
OF COURSE.
THAT'S WHY I CAME.
HAVE YOU FORGOTTEN IT'S SPRING CLEANING TIME?
I'VE FORGOTTEN HOW TO FLY.
I'LL TEACH YOU.
NO, PETER.
DON'T WASTE YOUR FAIRY DUST ON ME.
WHAT'S THE MATTER?
I'M OLD, PETER.
I'M EVER SO MUCH MORE THAN 20.
I GREW UP A LONG TIME AGO.
YOU PROMISED NOT TO.
I'M A MARRIED WOMAN NOW.
NO, YOU'RE NOT!
YES, AND THE LITTLE GIRL IN THE BED IS MY CHILD.
NO, SHE'S NOT!
( sobbing )
Man: MOTHER! MOTHER!
BOY?
WHY ARE YOU CRYING?
I'M PETER PAN.
YES, I KNOW.
I CAME TO TAKE MY...
MOTHER BACK TO NEVER LAND.
YES, I KNOW.
I'VE BEEN WAITING FOR YOU.
FOR ME?
OH, YES, PETER.
WOULD YOU TEACH ME HOW TO FLY?
DO YOU KNOW ANY STORIES?
OH, I KNOW LOTS OF STORIES.
AND WOULD YOU TUCK ME IN AT NIGHT
AND MEND MY POCKETS FOR ME?
OH, YES, PETER.
TAKE ME WITH YOU.
( crowing )
FIRST, I MUST BLOW THE FAIRY DUST ON YOU.
NOW THINK LOVELY, WONDERFUL THOUGHTS
AND UP YOU GO!
HOW SWEET!
AH, SHE'S SWEET.
SHE'S SWEET.
LOOK AT ME.
I'M FLYING!
SHE'S MY MOTHER.
COME ON, JANE.
NO! NO!
PLEASE, IT'S JUST FOR SPRING CLEANING.
HE WANTS ME ALWAYS TO DO HIS SPRING CLEANING.
OH, IF ONLY I COULD GO WITH YOU.
YOU CAN'T.
YOU SEE, WENDY...
YOU'RE TOO GROWN UP.
READY, JANE?
READY.
¶ THEN COME WITH ME WHERE DREAMS ARE BORN ¶
¶ AND TIME IS NEVER PLANNED ¶
¶ JUST THINK OF LOVELY THINGS ¶
¶ AND YOUR HEART WILL FLY ON WINGS ¶
¶ FOREVER ¶
¶ IN NEVER NEVER LAND! ¶
Captioned by The Caption Center WGBH Educational Foundation